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Nazi plunder (German: Raubkunst) was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany. Jewish property was looted beginning in 1933 in Germany and was a key part of the Holocaust .
A large plan was drafted by the Nazis for much of the stolen art to be featured in a so-called Führermuseum, [4] which would display much of the art plundered by the Nazis. This museum would feature works that were not considered to be " degenerate art " and would instead solely focus on the aesthetics that Hitler considered to be "good", and ...
Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. [ 1 ]
These quotes by notable Black people—from celebrated authors to award-winning actors to renowned public figures—reflect their determination, achievements, wisdom, and the mantras they used or ...
The sack of Jerusalem, from the inside wall of the Arch of Titus, Rome. Looted art has been a consequence of looting during war, natural disaster and riot for centuries. Looting of art, archaeology and other cultural property may be an opportunistic criminal act or may be a more organized case of unlawful or unethical pillage by the victor of a conflict.
Over five days, they hauled away more than 11,000 pieces of art, including paintings, sculptures, graphics and other works from Ukraine and around the world, said Alina Dotsenko, the director of ...
Stéphane Breitwieser (born 1 October 1971) is a French art thief and author, notorious for his art thefts between 1995 and 2001. He admitted to stealing 239 artworks and other exhibits from 172 museums while travelling around Europe and working as a waiter, an average of one theft every 15 days. [1]
The concept has been documented in the United States, Canada, the United Kingdom, Australia, and other white-majority countries. An early form of this was the white negro in the jazz and swing music scenes of the 1920s and 1930s, as examined in the 1957 Norman Mailer essay "The White Negro".