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"My Buddy" is a popular song with music written by Walter Donaldson, and lyrics by Gus Kahn. The song was published in 1922 and early popular versions were by Henry Burr (1922), Ernest Hare (1923) and Ben Bernie (also 1923).
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences.. Items in the list are sorted alphabetically by the band or artist's name.
He also collaborated with co-lyricist Ira Gershwin and with some of the finest composers, including Grace LeBoy Kahn (his wife), Richard A. Whiting, Buddy DeSylva, Al Jolson, Raymond Egan, Ted Fio Rito, Ernie Erdman, Neil Moret, Vincent Youmans, George Gershwin, Harry Akst, Harry M. Woods, Edward Eliscu, Victor Schertzinger, Arthur Johnston ...
The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1]
At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 81, based on 4 reviews, indicating "universal acclaim".
My Buddy (doll), a doll intended for boys; My Buddy, 1983 album by Rosemary Clooney; My Buddy: Sonny Stitt Plays for Gene Ammons, 1976; My Buddy: Etta Jones Sings the Songs of Buddy Johnson, 1998 "My Buddy" (song), a 1922 popular song "My Buddy" (G-Unit song), from the 2003 album Beg for Mercy; My Buddy, a 1944 American crime film
"Buddy, I’ve been around the world many times when I was a young cumulus nimbus cloud. It’s a wonderful place, filled with wondrous creatures—except dogs. Oh, by the way, don’t eat the ...
In Western musical theory, a cadence (from Latin cadentia 'a falling') is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards. [2] A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. [3]