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A wide variety of costumes (called "mas") depicting traditional Trinidadian Carnival characters are seen throughout the Trinidad and Tobago Carnival. After emancipation in 1838, freed slaves combined African masking culture with French colonial influence [ 1 ] to create characters that parodied the upper-class customs and costumes of Carnival.
Her origins and identity can be traced back to colonial times in Trinidad and Tobago in the 18th and early 19th century, emerging from colonial French Masques. [2] Historically, Dame Lorraine masquerade featured a diverse array of performers, including not only liberated slaves and women but also cross-dressing men. [ 3 ]
The costume is constructed so as to give the illusion of a dancer riding a small burro or donkey. [49] [48] This masquerade was brought to Trinidad by Venezuelan settlers. [50] Dame Lorraine – A voluptuous woman. [51] The costume parodies the dress of 18th-century French aristocratic women and is stuffed in the hips and bust. [52] Often ...
Calinda is a kind of stick-fighting commonly seen practiced during Trinidad and Tobago Carnival. [1] It is the national martial art of Trinidad and Tobago. French planters with their slaves, free coloureds and mulattos from neighboring islands of Grenada, Guadeloupe, Martinique and Dominica migrated to Trinidad during the Cedula of Population ...
The Burrokeet (alternative spellings: Burroquite, borokit, borokite, bourriquite) [1] is a "donkey-man" character traditionally portrayed in Trinidad and Tobago Carnival.The name derives from the Spanish word burroquito (little donkey), the character's costume being constructed so as to give the illusion of a dancer riding a small burro or donkey.
Trinidad’s National Carnival Commission has announced the lineup for what’s being called a “Taste of Carnival,” a combination of virtual The post Carnival in Trinidad is a go, ...