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Ensembles didn't necessary have to have five instruments like formal performances: they could be composed of only four instruments (three gandingan gongs, a kulintang, an agung, and a dabakan), three instruments (a kulintang, a dabakan, and either an agung or three gandingan gongs) or simply just one instrument (kulintang solo). [12]
To help with the resonance of the instrument, holes are made on both nodes and long cracks are made along the body parallel to the strings. A variety of bamboo tube zithers are found throughout the Philippine archipelago, with each zither differing from the other in name, size, and design, depending on its associated ethnic group.
Agung Percussion instrument Classification Idiophone Hornbostel–Sachs classification 111.241.2 (Sets of gongs) Developed Indonesia The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan ...
The basic tone is still limited to three keys (naturel, 1 mole, and 1 crus), the pitch has expanded to four and a half octaves from F to C. The development of the kolintang musical instrument is still ongoing, both in terms of the quality of the instrument, the expansion of the pitch range, and the shape of the resonator box. [7]
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
The main use for the dabakan in Maguindanao and Maranao society is as a supportive instrument in the kulintang ensemble, [5] keeping the tempo of the ensemble in check [8] like the babendil. On most rhythmic modes, such as sinulog and duyog, the dabakan enters after babandil but in tidto, where the babendil is absent, the dabakan always starts ...
Kulintang a tiniok is a Maguindanaon term meaning "kulintang with string," but they also could call them kulintang a putao, meaning "kulintang of metal." The Maranao refer to this instrument as a sarunay (or salunay , salonay , saronay , saronai or sarunai ), terminology which has become popular for this instrument in North America.
Kulintang – set of eight tuned gongs placed horizontally in an ornate frame, tuned pentatonic scale|pentatonically. Gabbang – bamboo xylophone (Yakan, Batak, B'laan, Sama-Bajau, Tausūg) Luntang – wooden beams hanging from a frame (Maguindanaon) Kulintang a tiniok – set of eight, tuned knobbed metal plates strung on a wooden frame ...