Search results
Results From The WOW.Com Content Network
In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...
Another class of eye music is when the score is purposely made difficult for the performer. [1] For example, in Benedetto Marcello's cantata Stravaganze d’amore, the continuo part is written entirely in enharmonic chords, that is, "puns" of chord indications spelled with no regard to the key of the rest of the ensemble, but (in equal temperament) indistinguishable audibly from those spelled ...
Due to the influence of a large number of Hawaiians with Japanese ancestry, on the islands of Hawaii the term obake has found its way into the dialect of the local people. . Some Japanese stories concerning these creatures have found their way into local culture in Hawaii: numerous sightings of kappa have been reported on the islands, and the Japanese faceless ghosts called noppera-bō have ...
These words later appeared as lyrics in the "climactic rocking section" of "Behind Blue Eyes." [6] When "Behind Blue Eyes" was to be released as part of the aborted Lifehouse project, the song was sung from the point of view of the main villain, Jumbo. The lyrics are a first-person lament from Jumbo, who is always angry and full of angst ...
Chōchin'obake They can also be called simply chōchin , bake-chōchin , obake-chōchin , and chōchin-kozō . They appear in the kusazōshi , omocha-e , and karuta card games like obake karuta starting from the Edo period to the early 20th century (and still in use today), [ 3 ] as well as in Meiji and Taishō toys, children's books, and ...
With Ears to See and Eyes to Hear was met with generally positive reviews. Gregory Heaney of AllMusic gave the album a 3.5 out of 5 stars. He praised the vocal ability of singer Kellin Quinn stating, "Quinn, whose soaring tenor not only gives the songs a hopeful, uplifting quality, but shows off a vocal talent that could just as easily be making pop records."
Film No Song Composer(s) Writer(s) Co-artist(s) Agent 123: 31 "Aao Aao Yeh Dekho To" S. N. Tripathi B. D. Mishra Suresh Wadkar Avtaar: 32 "Zindagi Mauj Udane Ka"
The eye–hand span is the distance on the score between where the eyes are looking on the score and where the hands are playing on the score. It can be measured in two ways: in notes (the number of notes between hand and eye; the 'note index'), or in time (the length of time between fixation and performance; the 'time index').