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In Stitched from the Soul (1990), Gladys-Marie Fry asserted that quilts were used to communicate safe houses and other information about the Underground Railroad, which was a network through the United States and into Canada of "conductors", meeting places, and safe houses for the passage of African Americans out of slavery.
The post They made one-of-a-kind quilts that captured the public’s imagination. ... The groundbreaking art practice was cultivated by direct descendants of slaves in rural Alabama who have faced ...
A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
Harriet Powers (October 29, 1837 – January 1, 1910) [1] was an American folk artist and quilter born into slavery in rural northeast Georgia. Powers used traditional appliqué techniques to make quilts that expressed local legends, Bible stories, and astronomical events. Powers married young and had a large family.
Cecelia Tapplette Pedescleaux, also known as Cely, (born August 6, 1945) is an African-American quilter of traditional and art quilts, [1] inspired by historians, other African-American quilters, and quilt designs used during the Underground Railroad to communicate messages to slaves seeking freedom. [1] Her quilts have been shown in China ...
Stella Mae Pettway, who has sold her quilts on Etsy for $100 to $8,000, has characterized having scissors and access to more fabrics now as a paradox of “advantage and a disadvantage.”