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Dolls were donated by churches, schools, and scouting groups across the country. Each doll was sent with a message including the name of the doll, the names of the givers and the address for the "thank you" letter. [7] [9] Dolls were given farewell parties and given "passports" that cost 1 cent and "railroad and steamer tickets" that cost 99 cents.
There she taught doll-making, and continued to make her own dolls. [ 2 ] Her work was on exhibit for many years at the annual Nisei Week Festival in Los Angeles and at the Japanese American Community Center's annual Obon festival in the San Fernando Valley.
Japanese doll in traditional kimono and musical instrument. Japanese dolls (人形, ningyō, lit. ' human form ') are one of the traditional Japanese crafts. There are various types of traditional dolls, some representing children and babies, some the imperial court, warriors and heroes, fairy-tale characters, gods and (rarely) demons, and also people of the daily life of Japanese cities.
Dolls (Japanese: ドールズ, Hepburn: Dōruzu) is a 2002 Japanese film written, edited and directed by Japanese director Takeshi Kitano. A highly stylized art film , Dolls is part of Kitano's non- crime film oeuvre, like 1991's A Scene at the Sea , and unlike most of his other films, he does not act in it.
Girls ' Frontline (simplified Chinese: 少女前线; traditional Chinese: 少女前線; pinyin: Shàonǚ Qiánxiàn) is a mobile strategy role-playing game for Android and iOS developed by China-based studio MICA Team, where players control echelons of android characters, known in-universe as T-Dolls, each carrying a distinctive real-world firearm.
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Hideshi Hino's Theater of Horror, also known as the Kaiki Gekijou Hexalogy, is a series of six live action Japanese horror films from Pony Canyon. Based on several manga of Hideshi Hino , the series was released theatrically in Japan in year 2004, and later released in North America in 2006.
Teru teru bōzu as a Japanese practice seems to have originated from the similarity between origami dolls and names described in the literature in the middle of the Edo period. A reference to teru teru bōzu is written in Kiyū Shōran ( 嬉遊笑覧 ) by Nobuyo Kitamura, a scholar of Japanese classical literature in 1830.