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Déjà Vu, is the second studio album by American folk rock group Crosby, Stills & Nash, and their first as a quartet with Neil Young. Released on March 11, 1970, by Atlantic Records , it topped the Billboard 200 chart for one week and generated three Top 40 singles: " Woodstock ", " Teach Your Children ", and " Our House ".
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Isaac Hayes had written the tune for "Déjà Vu" in 1977 while touring with Warwick on the A Man and a Woman Tour: Warwick would recall then hearing Hayes play the tune – which he had entitled "Déjà Vu" without writing lyrics – and as she and Barry Manilow began preparing for the January 1979 recording sessions for the Dionne album, Warwick solicited a tape of "Déjà Vu" from Hayes to ...
The song describes a real-life dilemma faced by many hippies: whether to cut one's hair to a more practical length, or leave it long as a symbol of rebellion. [3] It was written by David Crosby, and features solo vocals by Crosby, with the rest of the band joining in on instruments rather than on vocal harmony, as in many of their other songs.
"Carry On" is a song by American folk rock band Crosby, Stills, Nash & Young. Written by Stephen Stills, it is the opening track to their second album Déjà Vu (1970). It was released as the B-side of "Teach Your Children", but went on to receive steady airplay of its own from AOR radio stations.
Stephen Stills is the debut solo album by American musician Stephen Stills released on Atlantic Records in 1970. It is one of four high-profile albums (all charting within the top fifteen) released by each member of Crosby, Stills, Nash & Young in the wake of their 1970 chart-topping album Déjà Vu, along with After the Gold Rush (Neil Young, September 1970), If I Could Only Remember My Name ...
Reeves recorded and toured with Crosby, Stills, Nash & Young from August 1969 to January 1970 and is credited on the cover of their 1970 Déjà Vu album; he appears with the group in the concert documentary Celebration at Big Sur (filmed in September 1969) and in contemporaneous television appearances on This Is Tom Jones and The Music Scene.
The song was the group's first to feature the dual-lead guitar line-up of Jeff Beck and Jimmy Page. The two contribute an array of guitar parts during the instrumental sections, described as "a full-on six-string apocalypse". [1] Lyrically, it deals with notions of past life and déjà vu.