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Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
He was frequently thought of as a melancholic poet, though most of his poetry is based on romantic happiness and hope. [4] Nasir Kazmi was influenced by the romantic poetry of Akhtar Sheerani and also took guidance in his poetry from the poet Hafeez Hoshiarpuri. He also had great admiration for the poetry of Mir Taqi Mir. [4]
Poetry Qazi Muhammad Shamshad Nabi Farooqi, better known by his pen-name Saqi Farooqi ( Urdu : ساقی فاروقی ), was a British-Pakistani poet who wrote in both Urdu and English. Best known for his modernist Urdu poetry , mostly ghazal's and nazm's , he has authored critical essays as well.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Aab-e hayat (Urdu: آبِ حیات, lit. water of life) is a commentary (or tazkira) on Urdu poetry written by Muhammad Husain Azad in 1880. [1] The book was described as "canon-forming" and "the most often reprinted, and most widely read, Urdu book of the past century." [1] [2] The book is regarded as the first chronological history of Urdu ...
Waheed Akhtar (1934–1996), Urdu poet, writer, critic, orator, and one of the leading Muslim scholars and philosophers of the 20th century Baqer Amanatkhani (1905-1990), urdu poet, wrote 36 Marsiyas, more than 435 salaams, 200 Nauhas totalling more than 40,000 couplets in praise of Ahlulbayt.
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Most of Shakir's ghazalyaat contain five to ten couplets, often - though not always - inter-related. Sometimes, two consecutive couplets may differ greatly in meaning and context [For example, in one of her works, the couplet 'That girl, like her home, perhaps/ Fell victim to the flood' is immediately followed by 'I see light when I think of you/ Perhaps remembrance has become the moon'].