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Epipremnum aureum, the Pearls and Jade pothos, is a species in the arum family Araceae, native to Mo'orea in the Society Islands of French Polynesia. [1] The species is a popular houseplant in temperate regions but has also become naturalised in tropical and sub-tropical forests worldwide, including northern South Africa, [2] Australia, Southeast Asia, Indian subcontinent, the Pacific Islands ...
A serpent or dragon consuming its own tail, it is a symbol of infinity, unity, and the cycle of death and rebirth. Pentacle: Mesopotamia: An ancient symbol of a unicursal five-pointed star circumscribed by a circle with many meanings, including but not limited to, the five wounds of Christ and the five elements (earth, fire, water, air, and soul).
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Epipremnum is a genus of flowering plants in the family Araceae, found in tropical forests from China, the Himalayas, and Southeast Asia to Australia the western Pacific. [1] [2] [3] They are evergreen perennial vines climbing with the aid of aerial roots. [4]
Antinous holding the thyrsus while posed as Dionysus (Museo Pio-Clementino). In Ancient Greece a thyrsus (/ ˈ θ ɜː r s ə s /) or thyrsos (/ ˈ θ ɜːr s ɒ s /; Ancient Greek: θύρσος) was a wand or staff of giant fennel (Ferula communis) covered with ivy vines and leaves, sometimes wound with taeniae and topped with a pine cone, artichoke, fennel, or by a bunch of vine-leaves and ...
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
Small votive hands, typically made of copper or bronze, are often associated with the cult of Sabazios. Many of these hands have a small perforation at the base which suggests they may have been attached to wooden poles and carried in processions. The symbolism of these objects is not well known. [21]
Trees are significant in many of the world's mythologies, and have been given deep and sacred meanings throughout the ages. Human beings, observing the growth and death of trees , and the annual death and revival of their foliage, [ 1 ] [ 2 ] have often seen them as powerful symbols of growth, death and rebirth.