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This sold over 600,000 copies in multiple editions. Walker named the tune "New Britain" in that work and the combination was reprinted in The Sacred Harp (1844) which was even more influential. The name "Amazing Grace" was first used for the combination in Sankey's Gospel Hymns 2 (1877). [1] [2] The tune is pentatonic and in Ionian mode. [1]
An 1847 publication of Southern Harmony, showing the title "New Britain" ("Amazing Grace") and shape note music. Play ⓘ. The roots of Southern Harmony singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services.
Bagpipe Great Highland bagpipe: variable D ♭ 4 - D 4: A minority of bagpipes, made for playing with other instruments, are exactly D ♭ 4 (referred to as B ♭, relative to the tonic note A rather than C). Most bagpipes are sharper than this, between D ♭ 4 and D 4. [1]. Northumbrian smallpipes in F or F+ B ♭ 4 for F (~20 cents sharp for F+)
There are also many ornaments based on multiple or single grace notes. The tone of the uilleann pipes is unlike that of many other forms of bagpipes. They have a different harmonic structure, sounding sweeter and quieter than many other bagpipes, such as the Great Irish warpipes, Great Highland bagpipes or the Italian zampognas. The uilleann ...
Astronaut Kjell N. Lindgren is thought to be the first person to play the bagpipes in outer space, having played "Amazing Grace" in tribute to late research scientist Victor Hurst aboard the International Space Station in November 2015. [23] Traditionally, one of the purposes of the bagpipe was to provide music for dancing.
Canntaireachd (Scottish Gaelic for 'chanting'; pronounced [ˈkʰãũn̪ˠt̪ɛɾʲəxk]) is the ancient method of teaching, learning and memorizing Piobaireachd (also spelt Pibroch), a type of music primarily played on the Great Highland bagpipe. In the canntairached method of instruction, the teacher sings or hums the tune to the pupil ...
Bill Taylor is a Scottish and Welsh early harp scholar and performer who has collaborated with pibroch piper Barnaby Brown and violinist Clare Salaman on the recording of bagpipe pibroch arranged for the Clarsach wire harp, lyre, hardanger fiddle, hurdy-gurdy, vielle, bone flute, bagpipes and canntaireachd vocals, released in 2016. [166]
The fall from grace of the open chanter was slow to take effect as pastoral pipes with removable foot joints were still being made till the 1850s [19] and played until after the First World War. [17] In time the instrument would be tuned for performance on the knee rather than off it, and the foot joint remnant today is the tenon cut around the ...