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Often done in preparation for sale, or by a collector upon acquiring a new piece, the main goal of restoration is to "restore" the original appearance or functionality of a piece. There considerable difference between restoring and repairing. Functionality may be achieved by a repair, but restoring an item properly is an art-form.
Derveni krater, bronze, 350 BC, height: 90.5 cm (35 1 ⁄ 2 in.), Inv. B1, Archaeological Museum of Thessaloniki, after cleaning and conservation. Conservation and restoration of metals is the activity devoted to the protection and preservation of historical (religious, artistic, technical and ethnographic) and archaeological objects made partly or entirely of metal.
A conservator-restorer is a professional responsible for the preservation of artistic and cultural artifacts, also known as cultural heritage. [1] Conservators possess the expertise to preserve cultural heritage in a way that retains the integrity of the object, building or site, including its historical significance, context and aesthetic or ...
When determining the best course of action in the treatment of a steel or iron object great care must be taken. The person treating the object is likely a conservator, restorer, curator, archaeologist or collections manager, though private collectors may choose to treat their own collections.
Conservation-restoration is the practice of cleaning and discovering the original state of an object, investigating the proper treatments and applying those treatments to restore the object to its original state without permanently altering the object, and then preserving the object to prevent further deterioration for generations to come (Caple, p. 5-6). [1]
The reasons to restore a building most frequently fall into five main categories. [23] Value - Buildings hold intrinsic value not only in the history of the building, how it was used, but also how it was built. Historic buildings, notably pre-WWII, are built with higher quality materials and built under different standards than modern buildings.
When cleaning and alkalization alone are not sufficient to stabilize the artifact, conservators may opt to repair and restore the materials. Mending and filling techniques for paper include narrow strips of torn Japanese tissue adhered with a reversible non-staining adhesive such as starch paste or methyl cellulose .
A museum should carefully monitor the condition of collections to determine when an artifact requires conservation work and the services of a qualified conservator. Work of preventive conservation in a rock wall with prehistoric paintings at the Serra da Capivara National Park. The work consists of filling the cracks to prevent the ...