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Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
The following other wikis use this file: Usage on ca.wikipedia.org Usuari:QuimGil/proves; Viquipèdia:Imatge del dia/mes; Viquipèdia:Imatge del dia/any
English: Reproduction of drawing on a pottery vessel found in Shahr-i Sokhta, Iran.Late half of 3rd Millennium B.C. In five pictures of a goat as it steps toward a tree, climbs up it, eats the leaves and comes down.
The Parable of the Empty Jar (also known as the Parable of the Woman with a Jar), is found in the non-canonical Gospel of Thomas. It does not appear in any of the Canonical gospels of the New Testament. The parable is attributed to Jesus and reads: The kingdom of the father is like a certain woman who was carrying a jar full of meal.
Rubin's vase is an optical illusion in which the negative space around the vase forms the silhouettes of two faces in profile, a well-known example of figure-ground reversal by emphasizing that negative space. FedEx's logo displays an arrow between letters E and x. Not being in full silhouette, the effect is subtle and may not be noticed.
In visual art, horror vacui (Latin for 'fear of empty space'; UK: / ˌ h ɒ r ə ˈ v æ k j u aɪ /; US: /-ˈ v ɑː k-/), or kenophobia (Greek for 'fear of the empty'), [1] is a phenomenon in which the entire surface of a space or an artwork is filled with detail and content, leaving as little perceived emptiness as possible. [2]
The Rubin vase (sometimes known as Rubin's vase, the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.
In modern interpretations of traditional Japanese arts and culture, ma is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in ...