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In 1921, the library hosted the first exhibition of African-American art in Harlem; it became an annual event. [11] The library became a focal point to the burgeoning Harlem Renaissance . [ 7 ] In 1923, the 135th Street branch was the only branch in New York City employing Negroes as librarians, [ 12 ] and consequently when Regina M. Anderson ...
Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Lois Mailou Jones (1905–1998) [1] was an artist and educator.Her work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection.
Aaron Douglas (May 26, 1899 – February 2, 1979 [1]) was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. [2] He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. [3]
In 1942, he had an exhibition of 20 works of art at the South Side Community Art Center in Chicago. [26] The retrospective which included works from private collections shown for the first time, Richmond Barthé: The Seeker was the inaugural exhibition of the African American Galleries at the Ohr-O'Keefe Museum of Art in Biloxi, Mississippi ...
Archibald John Motley, Jr. (October 7, 1891 – January 16, 1981), [1] was an American visual artist. Motley is most famous for his colorful chronicling of the African-American experience in Chicago during the 1920s and 1930s, and is considered one of the major contributors to the Harlem Renaissance, or the New Negro Movement, a time in which African-American art reached new heights not just ...
She retired from the New York Public Library in 1966. In 1968, Anderson was a consultant for the Metropolitan Museum of Art's exhibit Harlem on My Mind. Later, Anderson wrote The Black New Yorkers partially due to her experience working on that exhibit. [9] [13] Anderson outlived virtually all of the other members of the Harlem Renaissance.
Collection: "Artists of the Harlem Renaissance" from the University of Michigan Museum of Art; The Harlem Renaissance and Transatlantic Modernism Exhibition at the Metropolitan Museum of Art, February 25 – July 28, 2024. Articles in The New York Times on the Harlem Renaissance, including on the 2024 exhibition at the Metropolitan Museum of Art