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Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric". [1]
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
Janko's scholarship has focused primarily upon Bronze Age Greece, archaic Greek epic, especially the Iliad of Homer, ancient literary criticism, especially the Poetics of Aristotle, early Greek religion and philosophy (especially Empedocles, Orphism, and the Derveni papyrus), and the reconstruction of ancient books on papyrus-rolls.
Vettori did not try to solve the problem but was first to publish about it, in his Latin commentary on the Poetics in 1560. [37] André Dacier wrote more than a century later, as though unaware of Castelvetro's remarks on the problem, "The wise Victorius [Vettori] is the only one who has seen it; but since he did not know what was the concern in the Chapter, and that it is only by this that it ...
Aristotle begins Poetics 13 with the premise that the function of tragedy is the arousal of pity and fear.” [5] According to Belfiore, even though Aristotle "uses one set of criteria for good plots in Poetics 13 and a different set in Poetics 14, these two accounts are more consistent with one another than is often thought”.
Oedipus, a figure commonly considered a tragic hero. A tragic hero (or tragic heroine if they are female) is the protagonist of a tragedy.In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be.
The physicians made a study of philosophy, and formulated theories; among them was Avicenna (c. 980-1037), who came from Bukhara, to the east of the Caspian Sea; he wrote a commentary on Aristotle. Al-Ghazali (1058–1111) wrote compendiums of logic and metaphysics.