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Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric". [1]
Hippocrates Apostle, Aristotle's On the Soul, (Grinell, Iowa: Peripatetic Press, 1981). ISBN 0-9602870-8-6; D.W. Hamlyn, Aristotle De Anima, Books II and III (with passages from Book I), translated with Introduction and Notes by D.W. Hamlyn, with a Report on Recent Work and a Revised Bibliography by Christopher Shields (Oxford: Clarendon Press ...
Aristotle says rhetoric is the counterpart (antistrophe) of dialectic. [1]: I.1.1–2 He explains the similarities between the two but fails to comment on the differences. Here he introduces the term enthymeme. [1]: I.1.3 Chapter Two Aristotle defines rhetoric as the ability in a particular case to see the available means of persuasion.
Aristotle's Poetics: Notes on Sophocles' Oedipus Archived 2018-09-30 at the Wayback Machine, cached version of the original; Background on Drama, Generally, and Applications to Sophocles' Play; Study Guide for Sophocles' Oedipus the King; Full text English translation of Oedipus the King by Ian Johnston, in verse Archived 2011-07-19 at the ...
Oedipus, a figure commonly considered a tragic hero. A tragic hero (or tragic heroine if they are female) is the protagonist of a tragedy.In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be.
Hamartia is first described in the subject of literary criticism by Aristotle in his Poetics. The source of hamartia is at the juncture between character and the character's actions or behaviors as described by Aristotle. Character in a play is that which reveals the moral purpose of the agents, i.e. the sort of thing they seek or avoid. [6]