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The live radio appearance that was broadcast on May 17, 1958, and also released on the album titled Makin' Wax, is known as the earliest documented evidence of the collaboration between Bill Evans and Miles Davis. [37] By mid-May, Jimmy Cobb replaced Philly Joe Jones, with whom Evans had developed a close friendship.
In his autobiography, Davis maintains that he alone composed the pieces on Kind of Blue. The version on Evans's trio album Portrait in Jazz, recorded in late 1959, credits the tune to "Davis-Evans." Earl Zindars, in an interview conducted by Win Hinkle, stated that "Blue in Green" was indeed "100-percent Bill's."
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis.It was released on August 17, 1959, by Columbia Records.For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly replacing Evans on one track, "Freddie ...
William D. Evans (born February 9, 1958) is an American jazz saxophonist, [1] who was a member of the Miles Davis group in the 1980s and has since led several of his own bands, including Push and Soulgrass. [2] Evans plays tenor and soprano saxophones. He has recorded over 27 solo albums and received two Grammy Award nominations.
Nardis" is a composition by American jazz trumpeter Miles Davis. It was written in 1958, during Davis's modal period, to be played by Cannonball Adderley for the album Portrait of Cannonball. [1] The piece has come to be associated with pianist Bill Evans, who performed and recorded it many times.
His unique and challenging sound was one of the reasons Miles Davis had hired him following Garland's departure. [17] The late-night languor of "My Funny Valentine", along with Bill Evans' presence and the more consistent and improving sextet, would hint at the music later featured on Davis' next album, the 1959 jazz masterpiece Kind of Blue. [15]
Miles Davis & Gil Evans: The Complete Columbia Studio Recordings [4] is a box set of music by jazz musicians Miles Davis and Gil Evans originally released on CD in 1996 and remastered and re-released in 2004. It collects work from 1957 through 1968 at Columbia Records recording studios.
Modal jazz is jazz that makes use of musical modes, often modulating among them to accompany the chords instead of relying on one tonal center used across the piece.. Though exerting influence to the present, modal jazz was most popular in the 1950s and 1960s, as evidenced by the success of Miles Davis's 1958 composition "Milestones" and 1959 album Kind of Blue, and John Coltrane's quartet ...