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The Gibson L-5 is a hollow body guitar first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan.The first guitar to feature F-holes, the L-5 was designed under the direction of acoustical engineer and designer Lloyd Loar, and has been in production ever since.
The Blueshawk has a number of distinctive features that distinguish it from virtually all other Gibsons. The Blueshawk's body outline is the same as a slightly earlier range of guitars — the Nighthawks (1993–1999) — but unlike the Nighthawks, the Blueshawk is a semi-hollow bodied guitar with twin f-holes.
Some instruments come in more than one style (mandolins may have F-holes, round or oval holes). A round or oval hole or a rosette is usually a single one, under the strings. C-holes, D-holes and F-holes are usually made in pairs placed symmetrically on both sides of the strings. Most hollowbody and semi-hollow electric guitars also have F-holes.
The Gibson ES series of semi-acoustic guitars (hollow body electric guitars) are manufactured by the Gibson Guitar Corporation.. The letters ES stand for Electric Spanish, to distinguish them from Hawaiian-style lap steel guitars which are played flat on the lap.
Whereas the ES-335 was a semi-hollow guitar (having a hollow body with a solid block of maple running through the center) with standard humbucking pickups, the ES-325 was fully hollow, featured Gibson Firebird mini-humbucking pickups, had only one f-hole, and had a half-moon shaped plastic control plate supporting the electronics (input jack ...
Guitar maker A. H. Merrill, for example, patented in 1896 a very modern looking instrument "of the guitar and mandolin type . . . with egg-shaped hoop or sides and a graduated convex back and top." The instrument featured a metal tailpiece and teardrop shaped "f-holes," and strongly resembled the archtop guitars of the 1930s. James S.
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The L-4 was first introduced in 1911 as an acoustic rhythm guitar with an oval sound hole and 12 frets to the neck; [1] it was used by Eddie Lang, who also played an L-5. In 1928, Gibson redesigned the guitar, swapping out the oval soundhole for a round one, extending the neck to 14 frets and cantilevering the end of the fretboard over the top ...