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"Working Man" is a song by Canadian rock band Rush. In an interview on the Rolling Stone YouTube channel, bassist and lead vocalist Geddy Lee said that "Working Man" is his favorite song to play live. [1] "Working Man" became a favourite among Rush fans; [2] the guitar solo appeared on Guitar World magazine's 100 Greatest Guitar Solos list. [3]
"Force Ten" was released in the United States by Mercury Records as a 12" vinyl one-track promotional single in 1987. [1] It is the opening track of Rush's studio album Hold Your Fire, and the song later appear on compilation albums such as Chronicles, Retrospective II, The Spirit of Radio: Greatest Hits 1974-1987, Gold, Icon, and Sector 3. [10]
The song has not been released in any format since the initial 1973 Moon Records release. Allegedly only 500 copies of the single were pressed. [7] [8] [10] "Finding My Way" Rush: 1974 Drummer: John Rutsey "Need Some Love" Rush: 1974 Drummer: John Rutsey "Take a Friend" Rush: 1974 Drummer: John Rutsey "Here Again" Rush: 1974
"Tom Sawyer" is one of the most played songs on classic rock radio in the United States, [10] is the most played Canadian song from before 1988 by Canadian rock radio stations during the Neilson BDS Era (which started in 1995), [11] [failed verification] and is the fifth most downloaded Canadian digital song from the 1980s. [12]
YYZ is the IATA airport identification code of Toronto Pearson International Airport, near Rush's hometown. The band was introduced to the rhythm as Alex Lifeson flew them into the airport. A VHF omnidirectional range system at the airport broadcasts the YYZ identifier code in Morse code .
Rush was a Canadian progressive rock band originally formed in August 1968, in the Willowdale neighbourhood of Toronto, Ontario. For the overwhelming majority of its existence, the band consisted of bassist , keyboardist, and lead vocalist Geddy Lee , guitarist Alex Lifeson , and drummer and lyricist Neil Peart .
Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991, on Anthem Records. [7] [8] The band began working on the album after a brief creative hiatus following the tour promoting their previous release, Presto (1989).
This represented a significant change in Rush's sound, as the strained "shrieking high range" of Lee's vocals were characteristic of the band's style from the 1970s. [17] McDonald states that the song's last verse featuring Lee's high-pitched vocals is a "farewell to Rush's early style". [17] The song increases in complexity as it progresses. [18]