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Give Up is the sole studio album by American electronic duo the Postal Service, released on February 18, 2003, by Sub Pop Records.The Postal Service was a collaboration between singer-songwriter Ben Gibbard, best-known for his work with indie rock band Death Cab for Cutie, and musician Jimmy Tamborello, who also records under the name Dntel.
The Postal Service announced they would be performing Give Up in its entirety, while Death Cab for Cutie would be performing Transatlanticism in its entirety, in celebration of the 20th anniversaries of both albums. [32] The tour originally consisted of 17 shows.
It should only contain pages that are The Postal Service albums or lists of The Postal Service albums, as well as subcategories containing those things (themselves set categories). Topics about The Postal Service albums in general should be placed in relevant topic categories .
You can set up separate responses to use for different domains, such as one for your AOL email and another for your Yahoo account. Turn a vacation response on or off. 1. Click on the Settings icon | select More settings. 2. Click Vacation response. 3. Toggle on or off Enable vacation response. 4. Select the dates you want it active. 5.
(Reuters) -A bipartisan group of 26 senators on Wednesday urged the U.S. Postal Service to pause planned further consolidation to its processing and delivery network, warning it could slow mail ...
Such Great Heights" is a song by American indie pop band The Postal Service. It was released as the lead single from their debut studio album, Give Up , in 2003 through Sub Pop Records . The single includes a previously unreleased track, "There's Never Enough Time", and two cover tracks by The Shins and Iron & Wine of " We Will Become ...
A U.S. House of Representatives committee said Wednesday it will hold an April 5 hearing on the U.S. Postal Service (USPS) electric vehicle purchase plans as lawmakers push for more zero-emission ...
This publicity, plus the wide success of Gibbard's other project, the Postal Service, led to considerably higher interest in Transatlanticism from the public. The album leaked online before its release; Gibbard called this a "good thing," noting, "if anything I like the idea of normal people getting a chance to hear it before it comes out."