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Thomas Bailey Aldrich (/ ˈ ɔː l d r ɪ tʃ / AWL-dritch; November 11, 1836 – March 19, 1907) was an American writer, poet, critic, and editor.He is notable for his long editorship of The Atlantic Monthly, during which he published writers including Charles W. Chesnutt. [1]
Formerly styled "Grove/Atlantic, Inc.", it was created in 1993 by the merger of Grove Press and Atlantic Monthly Press. As of 2018 Grove Atlantic calls itself "An Independent Literary Publisher Since 1917". [1] That refers to the official date Atlantic Monthly Press was established by the Boston magazine The Atlantic Monthly.
The Atlantic Monthly founded the Atlantic Monthly Press in 1917; for many years, it was operated in partnership with Little, Brown and Company. Its published books included Drums Along the Mohawk (1936) and Blue Highways (1982). The press was sold in 1986; today it is an imprint of Grove Atlantic. [25]
The acclaimed 167-year-old magazine, once known as The Atlantic Monthly, is increasing its pace of publication from 10 issues to 12, returning to a monthly publication for the first time since 2002.
Grove Press is an American publishing imprint that was founded in 1947. Imprints include: Black Cat, Evergreen, Venus Library, and Zebra. Barney Rosset purchased the company in 1951 and turned it into an alternative book press in the United States.
In 1855, using her pen name, Allen published her first book of poetry, Forest Buds from the Woods of Maine. [4] She started contributing poems to the Atlantic Monthly in 1858. [3] In 1866, she published her second collection, Poems, under the name of "Elizabeth Akers". [4] All subsequent volumes were published under the name "Elizabeth Akers ...
First published in the August 1915 issue of The Atlantic Monthly together with "The Road Not Taken" and "The Sound of Trees" as "A Group of Poems". It was included in Frost's third collection of poetry Mountain Interval, which was published in 1916. Consisting of 59 lines, it is one of Robert Frost's most anthologized poems.
While an MFA in fiction student at Columbia University, Dark served as nonfiction editor for Columbia: A Magazine of Poetry & Prose. He hit upon the idea of asking writers to contribute something they had cut from their work or never used. The twenty pieces Dark received ran in issue 13 of the magazine in 1989 as "Cut-Outs". [1]