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The character for koto is 箏, although 琴 is often used. However, 琴 (koto) is the general term for all string instruments in the Japanese language, [2] [3] including instruments such as the kin no koto, sō no koto, yamato-goto, wagon, nanagen-kin, and so on. [3] When read as kin, it indicates the Chinese instrument guqin. [4]
19th century yamato-goto (shown here without bridges); collection of the Tokyo National MuseumThe yamatogoto (大和琴 / やまとごと), also called wagon (和琴 / わごん) and azumagoto (東琴 / あずまごと), is a six- or seven-stringed plucked bridge zither which, unlike the koto and other stringed instruments, is believed to be truly native to Japan, and not imported from ...
The 17-string koto (Japanese: 十七絃 or 十七弦, Hepburn: jūshichi-gen, "seventeen strings") is a variant of the koto with 17 strings instead of the typical 13.. The instrument is also known as jūshichi-gensō (十七絃箏), "17 stringed koto", or "bass koto" (although koto with a greater number of strings also exist).
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
The 80-string koto, known as the hachijugen (八十絃/はちじゅうげん) in Japanese, was an invention of Japanese composer Michio Miyagi created in 1923. Miyagi added 67 strings to the traditional 13-string koto design, creating an instrument much like a western harp. Together, the 80 strings provide a far larger pitch range than the ...
A woman playing a koto, depicted in 1878 by Settei Hasegawa.. Danmono (Japanese: 段物) is a traditional Japanese style of instrumental music for the koto.The few pieces of its repertoire were mostly composed and developed in the seventeenth century, and all follow a strict form of composition.
The taishōgoto (大正琴), or Nagoya harp, is a Japanese stringed musical instrument. The name derives from the Taishō period (1912–1926) when the instrument first appeared. It has also become naturalized in East Africa, often under the name Taishokoto. [1] It is essentially a Keyboard Psalmodikon with multiple strings.
It was originally a sōkyoku (Japanese: 箏曲, lit. 'koto music'), a kind of chamber music with the koto playing the leading part, but nowadays the part of the koto is more widely known than the original. The music is made from six columns, hence the name, and there are exactly fifty-two beats in each column, except for the first row, which ...