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But from the third act onwards Othello catches this line of imagery from Iago as his irrational jealousy takes hold. [58] The same occurs with "diabolical" imagery (i.e. images of hell and devils) of which Iago uses 14 of his 16 diabolical images in the first two acts, yet Othello uses 25 of his 26 in the last three acts. [59]
In act three, scene four, Othello declares: ...That handkerchief did an Egyptian to my mother give; she was a charmer, and could almost read the thoughts of people. However in the last act of Shakespeare's work, as we approach the climax of the play, Othello supplies a completely different account of the strawberry spotted cloth, referring to ...
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Othello study guide, themes, quotes, multimedia, and teacher resources; Othello Act and scene wise summary & quotes, analysis, characters, topic discussions. Othello Archived 15 July 2020 at the Wayback Machine at the British Library; Othello—Annotated text aligned to Common Core standards.
The second act takes place on the island of Cyprus, within the world of Othello. During the scene where Othello resolves to kill his wife, Constance intervenes and reveals that Iago is tricking Othello. Othello binds Iago and expresses his gratitude to Constance. Desdemona arrives and asks whether Constance may stay with them.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
Michael Cassio, or simply Cassio (/ ˈ k æ s i oʊ /), is a fictional character in William Shakespeare's Othello.The source of the character is the 1565 tale "Un Capitano Moro" by Cinthio; Cassio is unnamed in Cinthio but referred to as "the squadron leader".
Early 19th-century depiction of Othello Act V, Scene 2 While Hazlitt's discussion of Othello includes observations about the characters, his consideration of this play, as with all of the four major tragedies, is combined with ideas about the purpose and value of tragedy and even of poetry in general.