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Pieces in a major key will usually modulate to the dominant, (the fifth scale degree above the tonic). Pieces in a minor key will generally modulate to the relative major key, (the key of the third scale degree above the minor tonic), or to the dominant minor.
For example, relative to the key of A minor, the key of C major is the mediant, and it often serves as a mid-way point between I and V (hence the name). Tonicization or modulation to the mediant is quite common in pieces written in the minor mode and usually serves as the second theme group in sonata form since it is very easy to tonicize III ...
Mozart's only composition in this key is the second movement to his Piano Concerto No. 23 in A major. [3] F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats.
For example, relative to the key of C major, the key of F major is the subdominant. Music which modulates (changes key) often modulates to the subdominant when the leading tone is lowered by half step to the subtonic (B to B ♭ in the key of C). Modulation to the subdominant key often creates a sense of musical relaxation, as opposed to ...
These chords stand in the same relationship to one another (in the relative minor key) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the relative minor key. For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D ...
The first polka in Smetana's "3 Polkas de Salon" is in F-sharp major, as is Polonaise No. 1 by Stanisław Moniuszko. Despite the key rarely being used in orchestral music other than to modulate, it is not entirely uncommon in keyboard music. For orchestration of piano music, some theorists recommend transposing the music to F major or G major.
In Western tonal music, the simplest and most common type of modulation (or changing keys) is to shift from one major key to another key built on the first key's fifth (or dominant) scale degree. In the key of C major, this would involve moving to the key of G major (which uses an F ♯). Composers also often modulate to other related keys.
In music theory, the scale degree is the position of a particular note on a scale [1] relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor .