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Clarke's original lamps feature a fairy embossed into the bottom, and they became so popular that all small candle-based lamps became known as "fairy lamps." They became extremely popular, due to the sudden affordability of mass-produced glass and candles, and were frequently used to illuminate nurseries, sickrooms, and hallways. [ 2 ]
MCM chalkware lamps were often romantic and exotic with a focus on the idealized beauty of historic, natural, and abstract designs. Common motifs were dancers (often sold as a male and female pair), innocent or sensual figures, trees, flowers, animals, zig-zags, waves and modern abstract sculpture typical of the period.
Edward Miller & Co. (1844–1924) was formed in Meriden, Connecticut, and is primarily known as a historical manufacturer of lamps. The company also made brass kettles and oil heaters. In 1866, the corporation was formed with capital of US$200,000.
The sconce is a very old form of fixture, historically used with candles and oil lamps. They can provide general room lighting, and are common in hallways and corridors, but they may be mostly decorative. [1] A sconce may be a traditional torch, cresset, candle or gaslight, or a modern electric light source affixed in the same way.
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A pencil case can also contain a variety of other stationery such as sharpeners, pens, glue sticks, erasers, scissors, and rulers. Pencil cases can be made from a variety of materials such as wood or metal. Some pencil cases have a hard and rigid shell encasing the pens inside, while others use a softer material such as plastic, leather or cotton.
Table lamp c. 1900–1906 A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
A late antique oil lamp showing a human figure identified as Christ. Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13]