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Box step is a basic dance step named after the pattern it creates on the floor, which is that of a square or box. It is used in a number of American Style ballroom dances: rumba, [1] waltz, [2] bronze-level foxtrot. While it can be performed individually, it is usually done with a partner. This is the most common dance step in the waltz.
The man steps forward on right foot while the lady steps backward on the opposing (i.e., left) foot. They will then step to the side (and possibly slightly forward, in relation to the man) on the other foot, and conclude the figure by closing the first foot beside the second.
Dance patterns may be described according to combinations of quick and slow steps and often by the rhythm or meter of the music, for example waltz steps (three-count step patterns danced to waltz music), swing steps (four-count patterns danced to swing music), polka steps (four-count patterns danced to polka music), and shuffle steps (four ...
Thereafter a Spanish Waltz was danced. This Spanish Waltz was a combination of dancing around the room in closed position, and a "formation" dance of two couples facing each other and performing a sequence of steps. [22] "Valse a Trois Temps" was the "earliest" waltz step, and the Rye Waltz was preferred as a couple dance. [23]
Chassé (French, "to chase") is a dance step with a triple step pattern used in many forms of dance. [1] It is a gliding, flowing [citation needed] step with the feet essentially following a step–together–step pattern. Timing and length of steps vary from dance to dance.
The chassé (, French for 'to chase'; sometimes anglicized to chasse / ʃ æ ˈ s eɪ, ʃ æ s /) is a waltz ballroom dance figure. Like chassés in other dances, it involves a triple-step where one foot "chases" the other in a "step-together-step" pattern. It is derived from a ballet step. [1]
Cross-step waltz evolved in the early 20th century. In 1914, the "Cross Walk Boston" waltz created by Frank H. Norman foreshadowed the cross-step waltz. In the Cross Walk Boston, the Lead crossed his left foot over his right, stepped right with his right foot, and closed left to right. This was then repeated with the right foot. [1]
The second half of the six-count pattern begins with a small leaping step (count 4) along the line of dance, so the leader faces forward on the line of dance. The left leg now reaches straight forward (count 5; pointing left toe, bending right knee, etc.), directly under the partner's right leg, which is extended back.