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The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Sallman is also well known for his rendition of the popular image Christ at Heart's Door. Other popular images produced from 1942 to 1950 include Christ in Gethsemane, The Lord is My Shepherd, and Christ Our Pilot. The vast collection of his original works, including Head of Christ, is owned by Anderson University.
Sallman said the painting was divinely inspired. He was a commercial illustrator who was struggling to sketch a portrait of Jesus for an evangelical magazine one late winter night in 1924.
In addition, several religious magazines have explained the "power of Sallman's picture" by documenting occurrences such as headhunters letting go of a businessman and fleeing after seeing the image, a "thief who aborted his misdeed when he saw the Head of Christ on a living room wall", and deathbed conversions of non-believers to Christianity ...
Head of Christ is a 1940 portrait painting of Jesus by Warner Sallman. Head of Christ may also refer to: Head of Christ, an alabaster sculpture of c. 1352 in the Museu Nacional d'Art de Catalunya, Barcelona; Head of Christ, a painting of 1521 in the Getty Museum, Los Angeles; Head of Christ, a chalk and pastel study of c. 1494 in the Pinacoteca ...
Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
This painting was documented by Hofstede de Groot in 1914, who wrote: 158. HEAD OF CHRIST. B.-HdG. 413. Turned three-quarters left. The head is slightly inclined. Long dark curls and a short full beard. In a reddish-brown cloak. Half-length, without the hands, about half life size. Painted about 1656-58. Oak panel, 10 inches by 8 inches.
The painting is a small artwork, probably intended for private devotion, which depicts the head of Christ crowned with thorns, in half profile turning his head towards the viewer. [4] Through the use of the alternate use of light and shade; the chiaroscuro technique is used by the artist to highlight the line of the nose, cheekbones and the neck.