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The traces of oil painting reproduction can be found starting in the 16th century. [3] Traditionally, students of the Old Masters learned how to paint by working in the style of their teachers. This process of mimicking their master’s work would enable a student to practice a skilled mode of painting before developing their own approach.
From the summer of 2000, news outlets in the Pacific Northwest reported that young people were posing as art students selling mass-produced oil paintings, both copies and originals, for US$780–$2000 each. The so-called art students were said to be selling in exhibitions and galleries, primarily targeting local businesses.
The sheer number and variety of replicas and reproductions since its creation in the early 16th century illustrates a so-called self-reinforcing dynamic; utilized in advertising because of its familiarity, its fame is reinforced thereby. [2] Painting knock-offs of Mona Lisa and other Western masterpieces has become a cottage industry of sorts.
An 18th century British painting stolen by New Jersey mobsters in 1969 has been returned more than a half-century later to the family that bought it for $7,500 during the Great Depression, the FBI ...
The owner of The Saturday Evening Post, Curtis Publishing Company, which retains reproduction rights to Rockwell's artworks, also unsuccessfully attempted to claim ownership of the paintings. [ 2 ] The director of the Norman Rockwell Museum, Laurie Norton Moffatt, has expressed her hope that the paintings will eventually be reunited with the ...
The painting was purchased by art and design director / collector Emily Hall Tremaine and her husband in 1961 for $550. [17] From 1961-87, Tremaine lent the artwork to many exhibitions, and she extensively facilitated reproduction of the artwork in various media.
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