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Michelangelo was a prolific draftsman, as he was trained in a Florentine workshop at a dynamic time in the art scene, when paper had become readily available in sufficient quantity. [25] As follows, sketching was the first step in Michelangelo's artistic process, as it helped him plan his final paintings and sculptural pieces.
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations. The complex ...
Maurer, on the other hand, can only detect this style rarely in Michelangelo's work and cites Beccafumi instead as its pioneer. Beccafumi's student Marco Pino connected Beccafumi's style with those of Salviati, Parmigianino and perhaps even Michelangelo, and his work as a whole is marked by serpentinata motifs.
Although the two angels form a pair, there is a great contrast between the two works, the one depicting a delicate child with flowing hair clothed in Gothic robes with deep folds, and Michelangelo's depicting a robust and muscular youth with eagle's wings, clad in a garment of Classical style.
Compositional drawings for the figures of Lazarus and his two attendants were supplied by Michelangelo. In addition to the drawing in the British Museum illustrated here, there are other drawings by Michelangelo there and in Bayonne, [23] all of Lazarus and the two men supporting him, except for one of a foot, perhaps relating to Christ. [24]
Kimbell Art Museum, purchased from Sotheby's auction, Catalogue of Old Masters sale (Lot No. 69), 9 July 2008 by Adam Williams Fine Art, New York, as "Workshop of Domenico Ghirlandaio". Subsequently purchased by the Kimbell Art Museum, Fort Worth, Texas and attributed to Michelangelo. [10] [11] Madonna and Child with Saint John and Angels
These drawings are thought to indicate Michelangelo's original conception. In them the figure is naked, which was a common preliminary practice, before the costume is added to the sketch. In the drawings the torso turned more to the left and the right foot rested on an object which is not repeated in the sculpture.
Pages in category "Drawings by Michelangelo" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. E. Epifania; M.