Ad
related to: twangy guitar sound
Search results
Results From The WOW.Com Content Network
Duane Eddy (April 26, 1938 – April 30, 2024) was an American rock and roll guitarist. In the late 1950s and early 1960s, he had a string of hit records produced by Lee Hazlewood which were noted for their characteristically "twangy" guitar sound, including "Rebel-'Rouser", "Peter Gunn", and "Because They're Young". [5]
Later, however, the term came to be more broadly associated with regional dialects, to the extent that in some locations, "a twang is a desirable commodity". [2] Specific uses of the term include: A particular sharp vibrating sound characteristic of some electric guitars. A high frequency singing sound especially affected by country singers.
Gretsch guitars and the "growl" and "twang" of their Filter'Trons played a major part in the rise of rock and roll, with adopters like Bo Diddley, Duane Eddy, George Harrison, and Neil Young. [2] After a sharp decline in popularity in the 1970s and early 1980s, the Gretsch brand and Filter'Tron sound experienced a revival when Brian Setzer ...
Rosenkrantz’s quirky creations sound slightly different from conventional guitars, depending on the biomaterial they are made from. The “Mycocaster” has a twangy and nasally tone.
Have 'Twangy' Guitar Will Travel is the debut album by the guitarist Duane Eddy. [4] [5] It was released in 1958 on Jamie Records, as JLP-3000. [6] There were five charting singles and a B-side of an additional charting single taken from this album. Jamie Records released the album again in 1999 on compact disc, as Jamie 4007-2, with three ...
"Rebel-'Rouser" also appeared on Duane Eddy's debut album, Have 'Twangy' Guitar Will Travel. The song was originally called "Rabble Rouser" by Duane Eddy when it was recorded at Clay Ramsey and his son Floyd's "Audio Recorders" recording studio in Phoenix, Arizona , but the song's title was later changed by Lee Hazlewood to "Rebel-'Rouser" and ...
The "Twangs" the "Thang" is a studio album by guitarist Duane Eddy.It was released in 1959 on Jamie Records (catalog no. JLP-70-3009). It entered Billboard magazine's pop album chart on January 25, 1960, peaked at No. 18, and remained on the chart for 13 weeks. [2]
These design elements allow musicians to emulate steel guitar sounds, making it particularly appropriate for country music. Pickups are selected with a three-position switch, and two wiring schemes exist: Vintage: 1) neck pickup with treble cutoff for a bassier sound; 2) neck pickup only; 3) bridge pickup only.