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In situations where a character's life events flash across his/her mind, a splash page may be used with the entire background consisting of segments from earlier chapters. Abstract background effects: These involve elaborate hatching patterns in the background and serve to indicate or strengthen the mood of the plot. It can also illustrate a ...
The Colorforms concept was developed by Harry and Patricia Kislevitz in 1951, [1] firmly rooted in the Modernist design ethos and reflecting the Color Field abstract style prevalent at the time. The basic concept behind Colorforms is the ability to adhere and reposition abstract and geometric color form shapes on random surfaces to create art.
The edges of characters and other images with transparent background should not have shades of gray: these are normally used for intermediate colors between the color of the letter/image and that of the background, typically shades of gray being intermediate between a black letter and a white background. However, with, for example, a red ...
Architectural interest in Cubism centered on the dissolution and reconstitution of three-dimensional form, using simple geometric shapes, juxtaposed without the illusions of classical perspective. Diverse elements could be superimposed, made transparent or penetrate one another, while retaining their spatial relationships.
Media in category "Images that should have transparent backgrounds" The following 105 files are in this category, out of 105 total. 111th Battle For The Bell.jpeg 370 × 208; 33 KB
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art , non-figurative art , non-objective art , and non-representational art are all closely related terms.
Abstract regular polytope. 11-cell, 57-cell; Regular star 4-polytope. Icosahedral 120-cell, Small stellated 120-cell, Great 120-cell, Grand 120-cell, Great stellated 120-cell, Grand stellated 120-cell, Great grand 120-cell, Great icosahedral 120-cell, Grand 600-cell, Great grand stellated 120-cell; Uniform 4-polytope
Richardson treats glass as a transparent stone, using a hammer and chisel to shape it. He has developed a method of bonding the layers together with a polymer silicate and UV light. The layers are then sculpted into large abstract spheres, columns and spirals which appear "ethereal" and light despite their weight. [6]