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This event, though part of 1999's normal summer tour, is officially considered and was promoted as the band's fourth festival, despite the previously announced festival in Big Cypress, Florida on December 30–31, 1999 and January 1, 2000. Phish was the only headlining band at the event, performing five sets of music over two nights.
Musically, Phish was concentrating on large-scale composition throughout most of 1988 (much of which appeared on their classic double album Junta), with multi-part suites and epics acting as centerpieces of the band's live setlists. Many of these extended pieces, including reworked older songs such as "You Enjoy Myself", "The Divided Sky" and ...
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To celebrate the new millennium, Phish hosted a two-day outdoor festival at the Big Cypress Seminole Indian Reservation in Florida in December 1999. The festival's climactic New Year's Eve concert, referred to by fans as simply "The Show", started at 11:35 p.m. on December 31, 1999, and continued through to sunrise on January 1, 2000 ...
The song had previously been performed for live broadcast during the overnight set of Phish's New Year's Eve 2000 show at Big Cypress as part of ABC's coverage of New Year's festivities around the globe. [6] Owing in part to the mainstream exposure of "Heavy Things", Farmhouse had the highest-ever first week sales for a Phish record. [7]
The band's summer 1998 tour saw them add songs into their repertoire that would later be included on that year's The Story of the Ghost album (including setlist staples "Roggae" and "The Moma Dance" [a], the latter of which was performed during the second set of the July 16 show) and continue the funk-influenced improvisational style that came to the forefront the previous year.
A state wildlife officer and a contracted snake trapper found two large female Burmese pythons, lots of hatched and unhatched eggs and and a considerable number of the baby invasive reptiles ...
The H.O.R.D.E. tour, featuring such new jam icons as the Spin Doctors, Phish, Widespread Panic, the Aquarium Rescue Unit (and subsequent Col. Bruce Hampton projects), including Dave Matthews Band, allowed for a new generation of experimental improvisational music to hit a national audience. The festival was able to bring together a group of ...