Ad
related to: famous quotation about art
Search results
Results From The WOW.Com Content Network
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
In March 1911, the Syracuse Advertising Men's Club held a banquet to discuss journalism and publicity. This was reported in two articles. In an article in The Post-Standard covering this event, the author quoted Arthur Brisbane (not Tess Flanders as previously reported here and elsewhere) as saying: "Use a picture.
Ut Pictura Poesis, by Charles François Hutin. Ut pictura poesis is a Latin phrase literally meaning "as is painting so is poetry".The statement (often repeated) occurs most famously in Horace's Ars Poetica, near the end, immediately after another famous quotation, "bonus dormitat Homerus", or "even Homer nods" (an indication that even the most skilled poet can compose inferior verse):
The phrase "I know it when I see it" is a colloquial expression by which a speaker attempts to categorize an observable fact or event, although the category is subjective or lacks clearly defined parameters.
Famous Artists Who Shaped the World of Art Visionaries continuously influence our world, and the following creative geniuses are some of the most renowned artists to have ever lived. #1 Leonardo ...
Pages in category "Quotations from art" The following 6 pages are in this category, out of 6 total. ... In the future everybody will be famous for 15 minutes; J.
Although it is one of the most famous quotes from the work of Shakespeare, no printing in Shakespeare's lifetime presents the text in the form known to modern readers: it is a skillful amalgam assembled by Edmond Malone, an editor in the eighteenth century. Romeo and Juliet was published twice, in two very different versions.
German art historian Benjamin H. D. Buchloh suggests that the core tenet of Warhol's aesthetic, being "the systematic invalidation of the hierarchies of representational functions and techniques" of art, corresponds directly to the belief that the "hierarchy of subjects worthy to be represented will someday be abolished;" hence, anybody, and therefore "everybody," can be famous once that ...