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Courtly love (Occitan: fin'amor; French: amour courtois [amuʁ kuʁtwa]) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love".
Andreas Capellanus (Capellanus meaning "chaplain"), also known as Andrew the Chaplain (fl. c. 1185), and occasionally by a French translation of his name, André le Chapelain, was the 12th-century author of a treatise commonly known as De amore ("About Love"), and often known in English, somewhat misleadingly, as The Art of Courtly Love, though its realistic, somewhat cynical tone suggests ...
Book I: After an introductory analysis of "What love is" (Parry, pp. 28–36), Book One of De Amore sets out a series of nine imaginary dialogues (pp. 36–141) between men and women of different social classes, from bourgeoisie to royalty. In each dialogue the man is pleading inconclusively to be accepted as the woman's lover, and in each he ...
The focus, however, is on English works: the poems of Chaucer, Gower's Confessio Amantis and Usk's Testament of Love, the works of Chaucer's epigones, and Spenser's Faerie Queene. The book is ornamented with quotations from poems in many languages, including Classical and Medieval Latin, Middle English, and Old French. The piquant English ...
It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates." [1] Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent.
It’s certainly been a good year so far for book lovers. 2024 has seen the much anticipated return of Sally Rooney, whose fourth novel Intermezzo is arguably her best effort to date, as well as ...
The Châtelaine de Vergy tells the story of an unnamed knight in the service of the Duke of Burgundy who is the lover of the Châtelaine of Vergy, the Duke's niece. The Châtelaine has accepted this knight's love on one condition: that he must keep their relationship secret from everyone, and that when he comes to visit her, he must wait for her little dog to come out to him in the garden ...
He intended to elevate courtly love poetry, many of its tropes and its language, into sacred love poetry. Beatrice for Dante was the embodiment of this kind of love—transparent to the Absolute, inspiring the integration of desire aroused by beauty with the longing of the soul for divine splendor. [2]