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Taken was released in France on 27 February 2008 by EuropaCorp and was internationally released by 20th Century Fox. The film received mixed reviews from critics, but was a huge financial success, grossing $226 million, and numerous media outlets cited the film as a turning point in Neeson's career that redefined and transformed him to an ...
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Taken is a series of English-language French action films, beginning with Taken in 2008, created by producer Luc Besson and American screenwriter Robert Mark Kamen. The dialogue of all three films is primarily English, and all three feature Liam Neeson as Bryan Mills.
Articles relating to the media franchise Taken, a series of English-language French action films, beginning with Taken in 2008. Pages in category "Taken (franchise)" The following 8 pages are in this category, out of 8 total.
[28] Scott Bowles of USA Today gave the film 2 1/2 stars out of 4, writing, "The first half of Taken 2 is a serviceable action flick, but the second half descends into cliches" and "[a]t times, Taken 2 even steps from the shadows of the original with some terrifying imagery and an improved relationship between father and daughter. Alas, the ...
Despite quickly becoming a sensation at film festivals in New York and Cannes, in October 1976 the film was seized by Japanese authorities. While the film was based on a true story well known in Japan, its content, involving the vivid depiction of asphixiophilia, was considered too obscene for public viewing. The producer and script writer for ...
Taken (Robert Crais novel), the 15th novel in Robert Crais' Elvis Cole/Joe Pike series; Taken, the third novel in Benedict Jacka's Alex Verus series; Taken, an omnibus volume comprising the first four novels in the series Left Behind: The Kids; Taken, a fictional group in the novel The Black Company, by Glen Cook, and other books in the series
As of June 2020, the film holds a 43% approval rating on Rotten Tomatoes, a review aggregator, based on 28 reviews with an average rating 5.1 out of 10.The site's consensus reads: "A story of redemption held together with flashbacks, Take has moments of emotional intensity, but is ultimately undone by preachiness."