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Slip casting, or slipcasting, is a ceramic forming technique, and is widely used in industry and by craft potters to make ceramic forms. This technique is typically used to form complicated shapes like figurative ceramics that would be difficult to be reproduced by hand or other forming techniques. [1] The technique involves a clay body slip ...
Ceramic shell casting techniques using silica, zirconia and other refractory materials are currently used by the metal parts industry for 'net casting', forming precision shell moulds for molten metal casting. The technique involves a successive wet dipping and dry powder coating or stucco to build up the mould shell layer.
Press moulding: a simple technique of shaping by manually pressing a lump of clay body into a porous mould. [22] [23] [24] Granulate pressing: a highly automated technique of shaping by pressing clay body in a semi-dry and granulated form in a mould. The body is pressed into the mould by a porous die through which water is pumped at high pressure.
A pinch pot is a simple form of hand-made pottery produced from ancient times to the present. The pinching method is to create pottery that can be ornamental or functional, and has been widely employed across culture.
As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the ...
Most early ceramic ware was hand-built using a simple coiling technique in which clay was rolled into long threads that were then pinched and smoothed together to form the body of a vessel. In the coiling method of construction, all the energy required to form the main part of a piece is supplied indirectly by the hands of the potter.
Three-phase firing (or three-step firing) or iron reduction technique is a firing technique used in ancient Greek pottery production, specifically for painted vases. Already vessels from the Bronze Age feature the colouring typical of the technique, with yellow, orange or red clay and brown or red decoration.