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  2. Abstract art - Wikipedia

    en.wikipedia.org/wiki/Abstract_art

    Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.

  3. Category:Abstract art - Wikipedia

    en.wikipedia.org/wiki/Category:Abstract_art

    Media in category "Abstract art" The following 3 files are in this category, out of 3 total. František Kupka, 1912, Amorpha, fugue en deux couleurs (Fugue in Two Colors), 210 x 200 cm, Narodni Galerie, Prague.jpg 2,933 × 2,813; 7.28 MB

  4. List of art movements - Wikipedia

    en.wikipedia.org/wiki/List_of_art_movements

    This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.

  5. Abstraction (art) - Wikipedia

    en.wikipedia.org/wiki/Abstraction_(art)

    Strictly speaking, it refers to art unconcerned with the literal depiction of things from the visible world [1] —it can, however, refer to an object or image which has been distilled from the real world, or indeed, another work of art. Artwork that reshapes the natural world for expressive purposes is called abstract; that which derives from ...

  6. The arts - Wikipedia

    en.wikipedia.org/wiki/The_arts

    In modern usage, architecture is the art and discipline of creating or inferring an implied or apparent plan for a complex object or system. [19] Some types of architecture manipulate space, volume, texture, light, shadow, or abstract elements, to achieve pleasing aesthetics. [20]

  7. Geometric abstraction - Wikipedia

    en.wikipedia.org/wiki/Geometric_abstraction

    Piet Mondrian, Composition No. 10, 1939–1942, oil on canvas. Throughout 20th-century art historical discourse, critics and artists working within the reductive or pure strains of abstraction have often suggested that geometric abstraction represents the height of a non-objective art practice, which necessarily stresses or calls attention to the root plasticity and two-dimensionality of ...