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Gregg Wesley Toland (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and The Long Voyage Home (both, 1940).
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus. Deep focus is normally achieved by choosing a small aperture.
In Citizen Kane (1941), cinematographer Gregg Toland and director Orson Welles used tighter apertures to create every detail of the foreground and background of the sets in sharp focus. This practice is known as deep focus. Deep focus became a popular cinematographic device from the 1940s onward in Hollywood. Today, the trend is for more ...
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André Bazin (French:; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist.He started to write about movies in 1943 and was a co-founder of the renowned film magazine Cahiers du cinéma in 1951 alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca.
Especially in narrative filmmaking, cross-cutting is traditionally used to build suspense or to suggest a thematic relationship between two sets of actions. Continuity editing An editorial style that preserves the illusion of undisrupted time and space across editorial transitions (especially cuts). Deep focus
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This sequence of shots is illustrated on film scholar David Bordwell's blog. [34] The three shots are not connected in the film by camera movements or dissolves, but by a series of two jump cuts. The effect is to stress the duration of Sanshiro's departure. In the opening sequence of Seven Samurai in the peasant village, the axial cut is used ...