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Frank Foster (born January 22, 1982, in Cypress Bottom, Claiborne Parish, Louisiana, United States) [1] is an American country music singer-songwriter. Foster has released eight independent albums: Rowdy Reputation in 2011, Red Wings and Six Strings in 2012, Southern Soul in 2013, Rhythm and Whiskey in 2014, Boots on the Ground in 2016, Good Country Music in 2016, Till I'm Gone in 2018 and The ...
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. [1] Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. [2] In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award.
Allmusic awarded the album 3 stars with its review by Scott Yanow stating, "Foster plays in a variety of modern mainstream styles from the era including funk, Latin, a bit of gospel and more straight-ahead. The overall results are not that memorable but they do show Foster growing beyond the world of Count Basie". [2]
Diane Schuur & the Count Basie Orchestra is a 1987 live album by Diane Schuur, accompanied by the Count Basie Orchestra, arranged by Frank Foster. [2] Three years after Count Basie's death, the Count Basie Orchestra is featured here as a ghost band, led by Frank Foster. [3] This was also the last performance of Freddie Green, who died a week ...
Frank, who is also a finalist for three 2024 Billboard Music Awards, will embark on a 26-city tour beginning in March that includes dates in the U.S. and Canada. Frank had a big year in 2024 after ...
It Might as Well Be Swing with Frank Sinatra (1964, Reprise) Pop Goes the Basie (1965, Reprise) Basie Picks the Winners (1965, Verve) Our Shining Hour with Sammy Davis, Jr. (1965, Verve) Arthur Prysock and Count Basie with Arthur Prysock (1965, Verve) Basie Meets Bond (1966, United Artists) Live at the Sands (Before Frank) (live, 1966 [1998 ...
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The AllMusic review by Scott Yanow said "This is one of Frank Foster's finest small-group dates and is highly recommended". [3] In JazzTimes, Bill Shoemaker called it "a balm-like program that will quell the most righteous outrage", observing that "Foster’s art lies in his projection of a relaxed energy, a combination of a quick wit, acute insights, and graceful execution ...