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Tulle is often used as an accent, to create a lacy, floating look. Tulle may also be used in underskirts or petticoats to create a stiff belled shape. Gowns are often puffed out with the use of several layers of stiff tulle. Tulle netting is also used to make veils, since it obscures the features of the face while allowing the wearer to see out ...
Egyptian girl in tulle-bi-telli. Tulle-bi-telli, also known as Assuit or 'Assiut after Asyut where it is made, is a textile marrying cotton or linen mesh with small strips of metal. The first documentation of fabric is in the 18th century. [1] Other spellings include assuite, asyut, assyut, asyute, and azute. The name translates roughly as "net ...
Bobbinet tulle or genuine tulle is a specific type of tulle which has been made in the United Kingdom since the invention of the bobbinet machine. John Heathcoat coined the term "bobbin net", or bobbinet as it is spelled today, to distinguish this machine-made tulle from the handmade "pillow lace", produced using a lace pillow to create bobbin ...
Bobbinet tulle fabrics have long been used for high-quality exclusive curtains, bridalwear, haute couture fashion, lingerie, embroidery, where it is used as a base cloth for the actual embroidery, and as base nets for high-quality wigs. Use has also extended into technical applications where the material's properties are more important than its ...
Classical tutu: a skirt made of 10-12 layers of stiff tulle sewn on to a pantie and basque at hip level. The lower, short layers of tulle support the top layers, making them jut out from the hip. Pancake tutu: this tutu is supported by a hoop and is very flat, with few ruffles. [12]
It consists of multiple horizontal strands and vertical strands, resulting in a square pattern associated with woven baskets. It is used in the following textile arts: Basket weaving; Basketweave in weaving; Basketweave in knitting; Basketweave in knot making; Basketweave as a variant of tent stitch in needlepoint; Basketweave in crochet
The embroiderers washed their hands every 30 minutes and changed needles every 3 hours to make sure that the lace would remain immaculate until the wedding day. [24] The press release from the Royal School of Needlework [25] states that the technique used in Catherine's wedding dress "was influenced by" traditional Carrickmacross lace technique.
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...