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The Holy Book of Hip-Hop was a catalogue of musical samples used in hip-hop music, published in 2001 by Black Glove Publishing. The Los Angeles Times has identified its origins as an illicit print version of Blaine Armsterd's "Sampling FAQ", which was itself compiled from Armsterd's own record collection, from liner notes, and from posts to Usenet. [1]
In the 1980s, samples were incorporated into synthesizers and music workstations, such as the bestselling Korg M1, released in 1988. [12] The Akai MPC, released in 1988, had a major influence on electronic and hip hop music, [25] [11] allowing artists to create elaborate tracks without other instruments, a studio or formal music knowledge. [11]
The samples can be played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums). Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may be pitch-shifted to different pitches to produce musical scales and chords.
As hip-hop celebrates its 50th anniversary on Aug. 11, The Times looks back at the artists, songs and innovations that changed the course of popular culture.
Edit; View history; Tools. Tools. move to sidebar hide. ... 20th century in hip-hop music (3 C, ... Pages in category "History of hip-hop"
This new generation of digital samplers are capable of reproducing and manipulating sounds. Digital sampling plays an integral part in some genres of music, such as hip-hop and trap. Advanced sample libraries have made complete performances of orchestral compositions possible that sound similar to a live performance. [33]