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"Bitches Ain't Shit" was originally a hidden track, but was added to the cover art from the 2001 reissue onwards. [5] It was a last-minute replacement for "Deep Cover", which the label felt was too risky to release on The Chronic in the wake of the "Cop Killer" controversy.
"Nebraska" is the title song of Bruce Springsteen's 1982 solo album. The stark, moody composition sets the tone for the LP, the content of which consists mostly of songs about criminals and desperate people, accompanied only by acoustic guitar and harmonica. [1]
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
Newman has called "Rednecks" one of his favorite compositions. He said he wrote the song after watching Maddox's appearance with Cavett and "seeing him be treated rudely... they had just elected him governor, in a state of 6 million or whatever, and if I were a Georgian, I would have been offended, irrespective of the fact that he was a bigot and a fool."
Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. [2] Secondary chords are referred to by the function they have and the key or chord in which they function. Conventionally, they are written with the notation "function/key ...
Image credits: SnooBeans8816 The original thread appeared two months ago in the AskReddit community with the question: "What instantly tells you someone is a trashy parent?" As of today, it has 3 ...
"Perfect Strangers" is a song written by Jonas Fjeld, Astor Anderson, Johnny Sareussen and Mark Spiro. It was performed by Anne Murray and Doug Mallory. The song reached #19 on the Canadian Adult Contemporary chart and #52 on the U.S. Country chart in 1988 . [1]
200 Motels, the soundtrack album to Frank Zappa's film of the same name, was released by United Artists Records in 1971. [2] The original vinyl release was a two-record set, largely containing alternating tracks of rock music performed by the Mothers of Invention and symphonic music performed by the Royal Philharmonic Orchestra conducted by Elgar Howarth, all composed and orchestrated by Zappa.