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Fiction, especially science fiction, has created large numbers of fictional species, both alien and terrestrial. [49] [50] One branch of fiction, speculative evolution or speculative biology, consists specifically of the design of imaginary organisms in particular scenarios; this is sometimes informed by precise science. [51] [52]
There are a number of lists of fictional species: Extraterrestrial. List of fictional extraterrestrials (by media type)
An extraterrestrial or alien is a lifeform that did not originate on Earth. The word extraterrestrial means "outside Earth". Extraterrestrials are a common theme in modern science-fiction, and also appeared in much earlier works such as the second-century parody True History [1] by Lucian of Samosata.
Another science fiction theme is the replacement of humanity on Earth by other species or intelligent machines. For instance, Olof Johannesson's 1966 The Great Computer gives humans the role of enabling intelligent machines to evolve, while Kurt Vonnegut's 1985 Galapagos is one of several novels to depict a replacement species. [1]
Symbiosis (mutualism) appears in fiction, especially science fiction, as a plot device. It is distinguished from parasitism in fiction, a similar theme, by the mutual benefit to the organisms involved, whereas the parasite inflicts harm on its host. [1]
Defining “science fiction” (so that one can say, definitively, this book is a sci-fi book) is a little like defining “spiritual” or some other vague belief category that includes so many ...
"The species is named after the fictional deity Dagon (also known as Father Dagon), created by the American writer of horror fiction H.P. Lovecraft (1890–1937) and firstly introduced in the short story "Dagon," published in 1919. In the pantheon of Lovecraftian cosmic entities, Dagon presides over the Deep Ones, an amphibious humanoid race ...
The geneticist Dan Koboldt observes that while science and technology play major roles in fiction, from fantasy and science fiction to thrillers, the representation of science in both literature and film is often unrealistic. [28] In Koboldt's view, genetics in fiction is frequently oversimplified, and some myths are common and need to be debunked.