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"Colors of the Wind" is a song written by composer Alan Menken and lyricist Stephen Schwartz for Walt Disney Pictures' 33rd animated feature film, Pocahontas (1995). The film's theme song , "Colors of the Wind" was originally recorded by American singer and actress Judy Kuhn in her role as the singing voice of Pocahontas .
"Colours" is a song written and recorded by British singer-songwriter Donovan for his second album, Fairytale. [2] "Colours" was released as a single in the United Kingdom on 28 May 1965 through Pye Records (Pye 7N 15866) and a few months later in the United States through Hickory Records (Hickory 45-1324).
Disney Sing-Along Songs [a] is a series of videos on VHS, betamax, laserdisc, and DVD with musical moments from various Disney films, TV shows, and attractions. Lyrics for the songs are sometimes displayed on-screen with the Mickey Mouse icon as a " bouncing ball ".
The Story of Walt Disney's Cinderella (Disneyland, 1957) Songs, Games & Fun (RCA Victor, 1958) Ukulele Ike (Glendale, 1978) Cliff Edwards and His Hot Combination 1925–1926 (Retrieval, 1978) The Vintage Recordings of Cliff Edwards (Ukulele Ike) (Take Two, 1979) The Musical Score of The Wizard of Oz/The Song Hits from Walt Disney's Pinocchio ...
The US version of the video features animation produced by Walt Disney Studios, as Queen's North American record label, Hollywood Records, is a subsidiary of The Walt Disney Company. [11] Another video version was released in 1992 to promote the Classic Queen compilation album in the US, combining old footage of the band from 1973 to 1991 plus ...
The Hunchback of Notre Dame: An Original Walt Disney Records Soundtrack is the soundtrack to the 1996 Disney animated film The Hunchback of Notre Dame.It includes songs written by Alan Menken and Stephen Schwartz with vocals performed by Paul Kandel, David Ogden Stiers, Tony Jay, Tom Hulce, Heidi Mollenhauer, Jason Alexander, Mary Wickes, and Mary Stout, along with singles by All-4-One/Eternal ...
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The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.