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Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Pages in category "Japanese furniture" The following 2 pages are in this category ...
Download as PDF; Printable version; In other projects ... Pages in category "Japanese furniture designers" The following 6 pages are in this category, out of 6 total ...
Tendo Mokko chairs and tables are held in the collections of museums and have been sold for high prices at furniture auctions. [ 1 ] The company has collaborated with designers and architects such as Isamu Kenmochi , Sori Yanagi , Riki Watanabe [ jp ] , Daisaku Chō [ jp ] , Katsuhei Toyoguchi, Kenzo Tange , Bruno Mathsson , Katsuo Matsumura ...
Together, the two developed a number of furniture designs, pioneering the Japanese Modern style which integrated the material culture of Japanese furniture with modernist styles. [ 4 ] [ 5 ] In 1952, Kenmochi visited the United States, later writing about the visit in the Industrial Arts Research Institute's publication, Kogei Nyusu . [ 6 ]
Ryobiraki tansu being carried by hired porters. Woodblock print, Utagawa Toyokuni, 1807. Tansu were rarely used as stationary furniture. Consistent with traditional Japanese interior design, which featured a number of movable partitions, allowing for the creation of larger and smaller rooms within the home, tansu would need to be easily portable, and were not visible in the home except at ...
Tawaraya Sōtatsu (俵屋 宗達, c. 1570 – c. 1640) was a Japanese furniture designer and painter of the Rinpa school.. Sōtatsu is best known for his decorations of calligraphic works by his partner Hon'ami Kōetsu (1558–1637), [1] and his spectacular and highly influential byōbu folding screens, such as National Treasures Wind God and Thunder God [2] and his painting of the Sekiya and ...
Chabudai in a traditional setting In use, circa 1900. A chabudai (卓袱台 or 茶袱台 or 茶部台) is a short-legged table used in traditional Japanese homes.The original models ranged in height from 15 cm (5.9 in) to 30 cm (12 in). [1]
In 1965, he established Kuramata Design Office in Tokyo and in 1981 received the Japanese Cultural Prize for design. [3] From the mid‑1960s onwards, Kuramata began exploring materials and forms through his unique designs. His work merged popular culture, Japanese aesthetic concepts, and the Western avant‑garde. [2]