Search results
Results From The WOW.Com Content Network
Download as PDF; Printable version; In other projects ... Pages in category "Japanese furniture designers" The following 6 pages are in this category, out of 6 total ...
Together, the two developed a number of furniture designs, pioneering the Japanese Modern style which integrated the material culture of Japanese furniture with modernist styles. [ 4 ] [ 5 ] In 1952, Kenmochi visited the United States, later writing about the visit in the Industrial Arts Research Institute's publication, Kogei Nyusu . [ 6 ]
Tendo Mokko chairs and tables are held in the collections of museums and have been sold for high prices at furniture auctions. [ 1 ] The company has collaborated with designers and architects such as Isamu Kenmochi , Sori Yanagi , Riki Watanabe [ jp ] , Daisaku Chō [ jp ] , Katsuhei Toyoguchi, Kenzo Tange , Bruno Mathsson , Katsuo Matsumura ...
Download as PDF; Printable version; ... Japanese furniture designers (6 P) G. Japanese game designers (1 C, ... About Wikipedia; Disclaimers;
Tawaraya Sōtatsu (俵屋 宗達, c. 1570 – c. 1640) was a Japanese furniture designer and painter of the Rinpa school.. Sōtatsu is best known for his decorations of calligraphic works by his partner Hon'ami Kōetsu (1558–1637), [1] and his spectacular and highly influential byōbu folding screens, such as National Treasures Wind God and Thunder God [2] and his painting of the Sekiya and ...
Sōri Yanagi (柳 宗理, Yanagi Sōri, 29 June 1915 – 25 December 2011) [1] [2] [3] was a Japanese industrial designer. [4] He played a role in Japanese modern design developed after World War II to the high-growth period in the Japanese economy. He is both a representative of the wholly Japanese modern designer and a full-blown modernist ...
About Wikipedia; Contact us; Contribute Help; ... Download as PDF; Printable version; In other projects ... Pages in category "Japanese furniture"
In 1965, he established Kuramata Design Office in Tokyo and in 1981 received the Japanese Cultural Prize for design. [3] From the mid‑1960s onwards, Kuramata began exploring materials and forms through his unique designs. His work merged popular culture, Japanese aesthetic concepts, and the Western avant‑garde. [2]