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Lampworked dichroic glass bead showing thin film application Furnace glass beads. A variant of the wound glass bead making technique, and a labor-intensive one, is what is traditionally called lampworking. In the Venetian industry, where very large quantities of beads were produced in the 19th century for the African trade, the core of a ...
Apsley Pellatt in his book Curiosities of Glass Making was the first to use the term "millefiori", which appeared in the Oxford English Dictionary in 1849; prior to that, the beads were called mosaic beads. While the use of this technique long precedes the term "millefiori", it is now most frequently associated with Venetian glassware. [2] [3]
She managed the workshop in collaboration with her brother. Of fourteen specialist glass painters (pictori) documented between 1443 and 1516, she and Elena de Laudo [2] were the only women. [3] Her work cannot be clearly identified. She is known to have been the artist behind the glass beads called rosette or chevron beads in 1480. [4]
Potters who were associated with Owens Pottery over the years include Albert Radford, W. A. Long (who founded Lonhuda), Frank Ferrell, Karl Langenbeck, John J. Herold, Herb Hugo, and John Lessell. [3] A fire destroyed most of the Zanesville factory in 1902, but Owens rebuilt on the same site and took the opportunity to double in size to 11 ...
A selection of glass beads Merovingian bead Trade beads, 18th century Trade beads, 18th century. A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing.
The material used to form an article of pottery. Thus a potter might prepare, or order from a supplier, such an amount of earthenware body, stoneware body or porcelain body. Coiling A hand method of forming pottery by building up the walls with coils of rope-like rolls of clay. Cone See pyrometric cone Crackle glaze