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The house sound system will be controlled from the "Front of House" position, also called the "Mix position." This position is usually located behind the audience. The view from the Front of House Position. The in-ear monitor system will be controlled by a monitor mix engineer located in the wing on one side of the stage.
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
The sound's source was roughly triangulated to , a remote point in the South Pacific Ocean west of the southern tip of South AmericaThe sound was detected by the Equatorial Pacific Ocean autonomous hydrophone array, [1] a system of hydrophones primarily used to monitor undersea seismicity, ice noise, and marine mammal population and migration.
A noise squelch circuit is noise-operated and can be used in AM or FM receivers, and relies on the receiver quieting in the presence of an AM or FM carrier. To minimize the effects of voice audio on squelch operation, the audio from the receiver's detector is passed through a high-pass filter , typically passing 4,000 Hz (4kHz) and above ...
Signal flow is the path an audio signal will take from source to the speaker or recording device. Signal flow may be short and simple as in a home audio system or long and convoluted in a recording studio and larger sound reinforcement system as the signal may pass through many sections of a large mixing console, external audio equipment, and even different rooms.
Latency refers to a short period of delay (usually measured in milliseconds) between when an audio signal enters a system, and when it emerges.Potential contributors to latency in an audio system include analog-to-digital conversion, buffering, digital signal processing, transmission time, digital-to-analog conversion, and the speed of sound in the transmission medium.
Second-order filters have a 40 dB/decade (or 12 dB/octave) slope. Second-order filters can have a Bessel, Linkwitz-Riley or Butterworth characteristic depending on design choices and the components that are used. This order is commonly used in passive crossovers as it offers a reasonable balance between complexity, response, and higher ...
With the coming of stereo (two speakers) and surround sound (four or more), plain horns became even more impractical. Various speaker manufacturers have produced folded low-frequency horns which are much smaller (e.g., Altec Lansing, JBL, Klipsch, Lowther, Tannoy) and actually fit in practical rooms.