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Characterology (from Ancient Greek χαρακτήρ 'character' and ‑λογία, ‑logia) is the academic study of character which was prominent in German-speaking countries during the late 19th and early 20th centuries. [1] [2] It is considered a historic branch of personality psychology, which extended into psychoanalysis and sociology. [3]
A list of 'effects' that have been noticed in the field of psychology. [clarification needed] Ambiguity effect;
List of branches of psychology. 5 languages. ... This non-exhaustive list contains many of the sub-fields within the field of psychology: Abnormal psychology;
A superfluous man (Eugene Onegin) idly polishing his fingernails.Illustration by Elena Samokysh-Sudkovskaya, 1908. The superfluous man (Russian: лишний человек, líshniy chelovék, "extra person") is an 1840s and 1850s Russian literary concept derived from the Byronic hero. [1]
This list is for characters in fictional works who exemplify the qualities of an antihero—a protagonist or supporting character whose characteristics include the following: imperfections that separate them from typically heroic characters (such as selfishness, cynicism, ignorance, and bigotry); [1]
Subpersonalities are functionally similar to possible selves, a concept used in cognitive psychology. [5] Possible selves are defined as psychological schema that represent multiple versions of the self. These include past and future selves, which together characterise thoughts and feelings, such as remorse, satisfaction, and doubt about the ...
In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. [1]
Oblomov (Russian: Обломов, pronounced [ɐˈbloməf]) is the second novel by Russian writer Ivan Goncharov, first published in 1859.Ilya Ilyich Oblomov is the central character of the novel, portrayed as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature.