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Nosotros los pobres was originally titled Topillos y Planillas (named after two of the characters in the film and before the main character Jose "Pepe el Toro" was created), [4] but later changed after its author Pedro de Urdimalas heard Abel Cureño (who's also in the film and at that time was playing a street vendor selling oranges in the ...
Como tú no hay 2 (originally written as Como tú no hay dos English: No one like you), is a Spanish-language comedy-drama television series produced by W Studios and Lemon Studios for Televisa and Univision. [3]
Efraín Enrique Recinos Valenzuela (May 15, 1928 – October 2, 2011) was a Guatemalan contemporary architect, muralist, urbanist, painter and sculptor.Recinos' works adorn the facades and interiors of many of Guatemala's landmark buildings, including the National Library of Guatemala.
The Dos Erres massacre of 6 December 1982 took place in Dos Erres, a small village in the municipality of La Libertad, in the northern Petén department of Guatemala.The name of the village, occasionally given as "Las Dos Erres", literally means "two Rs", originating from two brothers called Ruano who received the original land grant.
Que te perdone Dios... yo no (English title: Ask God for Forgiveness... Not Me ) [ 1 ] is a Mexican telenovela produced by Angelli Nesma Medina for Televisa . It is the remake of the telenovela Abrázame muy fuerte , produced in 2000.
Dos por uno is a Chilean telenovela starring Diego Muñoz, Carolina Varleta and Adela Secall originally aired on TVN and it premiered on March 11, 2013. Plot [ edit ]
The Centro Cultural Miguel Ángel Asturias, commonly called Teatro Nacional, is a cultural center in Guatemala City, Guatemala. It is located in the Centro Cívico (Civic Center) of the city and was built in the same place of the old Fuerte de San José. Its form, which emulates a seated jaguar, [1] stands out from the adjacent buildings.
La escopeta nacional (in English, The National Shotgun) is a 1978 Spanish comedy film directed by Luis García Berlanga.The first installment in a critically and commercially successful trilogy, the picture is an indictment of the legacy of Francisco Franco and the business classes upon whom he depended for support.